| CURRICULUM VITAE |
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| AWARDS, PROJECTS, PROPOSALS AND COMMISSIONS |
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| 2009 | Rocks: From Axe heads to Zennor head, Curator and exhibitor, Bridport Arts Centre |
| 2002 | Moving Parts Project, Bridport |
| 2001 | Abbey Award, The British School at Rome |
| 2001 | Other People's Gardens, Curator and exhibitor, Bridport Arts Centre |
| 1998/9 | Gastatellier, Düsseldorf |
| 1998 | Runner up, A13 Artscape project proposal for Scatton's Farm Estate |
| 1998 | The Exmouth Documenta, with Siân Bonnell The Old Custom House |
| 1997 | Shortlisted for proposal for Walsall Bus Station with Shillam+Smith |
| 1996 | South West Arts Major Award |
| 1995 | To Red, Directed by Peter Todd. Featured in a short film poem |
| 1991/2 | Strata, inlaid floor, design and production, British Council, London |
| 1991 | Shave Farm Artist Workshop, Somerset |
| 1989 | Brueler Kunstverein Stipendium, Germany |
| 1982 | Boise Travel Scholarship, Japan |
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| PUBLICATIONS |
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| 2007 | Dorset Coast: interviews by James Crowden and Ruby Wright, Photographs by George Wright, ISBN 978-0-9557073-2-2 |
| 2005 | AKL Allgemeine Kuenstler Lexicon |
| 2002 | Mathematique, catalogue |
| 2002 | The Female Line, catalogue |
| 2001/2/3 | Art Loan Collection 2001, Bournemouth University, catalogue |
| 2001 | Fine Arts 2000-2001, The British School at Rome, catalogue |
| 2001 | Furiluogo 6, catalogue |
| 1999 | O Pas La, catalogue with essay by Christopher Kool Want |
| 1999 | The Pleasure of Influence, catalogue |
| 1996 | East International, catalogue |
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| SOLO EXHIBITIONS |
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| 2006 | New dust works, Matthew Bown Gallery, London |
| 2005 | Some things don't last forever, Shillam + Smith 3, London |
| 2001 | Never Done, with Siân Bonnell, the Arts Institute at Bournemouth |
| 1996 | Landmarks, Shillam + Smith 3, London |
| 1995 | Portable Work, with Suse Wiegand, Gasworks, London |
| 1990 | Chesil Gallery, Portland |
| 1991 | Hampstead Theatre, London |
| 1989 | Breuler Kunstverein, with Suse Wiegand, Breul, Germany |
| 1988 | Towner Art Gallery, Eastbourne with Heather Deedman |
| 1986 | Chesil Gallery, Portland |
| 1985 | Dorchester County Museum, Dorchester |
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| EXHIBITIONS |
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| 2010 | Portable Portland, curated by Dieter Krüll. Gallerie Splettstößer, Kaarst, Germany |
| 2005 | ROME, APT Gallery, London |
| 2005 | Sculpture: Time and Process, Study Gallery, Poole |
| 2004 | The Trace Editions Show, Hirschl Contemporary Art, London W1 |
| 2001/2/3 | Art Loan Collection, Bournemouth University |
| 2003 | The Female Line, Sherborne House. Dorset |
| 2002 | diversion, The Museum of Garden History, London SE1 |
| 2002 | Mathematique, Dannielle Arnaud, London |
| 2001 | Fuoriluogo 6, Viterbo, Italy |
| 2001 | Collettiva, The British school at Rome, Italy |
| 2001 | Fuoriluogo 6, Church of San Bartholomeo, Campobasso, Italy |
| 2001 | A21 International Exhibition, Wakayama City, Japan |
| 2001 | Elemental Fragments, (re)presenting the Dorset landscape, Artsreach |
| 2000 | Peninsular, Plymouth Arts Centre |
| 1999 | The Pleasure of Influence, Deans Court, Wimbourne, Dorset |
| 1999 | O PAS LA, Surprising Spaces, Lieu d'Art Contemporain, Sigean, France |
| 1999 | Lunch Hour, Peckham, London |
| 1998 | Pause, West London Group show in a domestic space |
| 1998 | Void, Peckham, London. Group show in a domestic space |
| 1997 | 3 Women, Bridport Arts Centre, Dorset |
| 1996 | Sad, Gasworks, London |
| 1996 | East International, Norwich. Selectors: Richard Long and Roger Ackling |
| 1995 | Mostyn Open, Oriel Mostyn, Llandudno, Wales |
| 1995 | New Art in the South West, Exeter. Selectors: John Virtue, Sonia Boyce |
| 1993 | Open Studio, Bemis Art Foundation, Nebraska. U.S.A. |
| 1992 | On Site, Bermondsey, London |
| 1992 | A.D.D. at Catherine Grove, London. |
| 1991 | Duplicate Art, Galerie von de Milwe, Aachen, Germany |
| 1991 | Hampstead Theatre, London |
| 1989 & 95 | Groß Winter Aüsstellung, N.R.W. Düsseldorf, Germany |
| 1989 | Riverside Open, Hammersmith, London |
| 1988 & 89 | Contemporary Art Market, London |
| 1987 | Coastlines, Towner Art Gallery, Eastbourne |
| 1984 | The Showroom Gallery, London |
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| PUBLIC COLLECTIONS |
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| 2001/2/3 | Bournemouth Loan Collection |
| 1998 | Arts Council Collection |
| 1998 | Schloß Moyland, Kleve |
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| EDUCATION |
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| 1989-90 | P.G.C.E.T. Thames Polytechnic |
| 1979-81 | Higher Diploma, Slade School of Art, London University |
| 1975-78 | B.A.(Hons) Fine Art. Newcastle upon Tyne Polytechnic |
| 1974-75 | Foundation Course, Loughborough College of Art |
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| EMPLOYMENT |
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| 2001-09 | Associate Lecturer, Manchester Metropolitan University |
| 2002 | Landslide workshop, Bridport Youth Centre |
| 2001 | Landslide workshops, Royal Manor School, Portland |
| 2001 | Visiting lecturer, Middlesex University |
| 2000/01 | Visiting lecturer, Goldsmith College. Extension Course |
| 2001 | Visiting lecturer, Loughborough College of Art and Design |
| 2000 | Visiting lecturer, Newcastle upon Tyne University |
| 1998-01 | Art Tutor, Strode College, H.M.P.Weare |
| 1991-01 | Visiting lecturer, Manchester Metropolitan University |
| 1998 | Visiting lecturer, University of Wales Cardiff |
| 1997/98 | Visiting lecturer, Newcastle upon Tyne University |
| 1996 | Visiting lecturer, Nottingham Trent University |
| 1996 | Guest tutor, Norwich Children's Art Club |
| 1994/95 | Visiting lecturer, Middlesex University |
| 1991/92 | Inlaid floor, design and production with Shillam + Smith Architects |
| 1991 | Visiting lecturer, Ulster University |
| 1990 | Lecturer, Thames Polytechnic |
| 1989 | Guest tutor, Eastbourne Arts Club |
| 1986 | Art Tutor, H.M.P. Holloway |
| 1983 | Freelance Edition Printer |
| 1982 | Edition Printer, Egerton Williams Studio, London |
| 1982 | Art Tutor, H.M.P. Pentonville |
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| VOLUNTARY WORK |
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| 1999-05 | Visual Arts Panel, Bridport Arts Centre |
| 1978 | Gallery assistant, Kettles Yard, Cambridge |
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| CONTACT DETAILS |
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| Judith Frost |
| Ranters Lodge |
| Chiswell |
| Portland |
| Dorset |
| DT5 1AW |
| United Kingdom |
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| tel: +44 (0) 1305 822 096 |
| mobile: +44 (0) 7887 945 034 |
| email: judithcfrost@gmail.com |
